2020 大臺北當代藝術雙年展|真實世界

Greater Taipei Biennial of Contemporary Art 2020  | Authentic World

 

戀人

Lover

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2020 | 裝置,LED顯示器、鐵支架,尺寸依場地而定,創作者溫晉豪

溫晉豪

Ching-Hao WEN

2020 | Installation, LED monitors, iron shelves. Dimensions variable, created by Ching-Hao WEN.

現實總是以一種意想不到的方式令人感到驚訝。《戀人》透過跑馬燈顯示文字,挪用一段描述地域關係的文字,將「兩岸」二字替換為「男女」。地域與權力的複雜關係,因此轉換為兩性的互動。藝術家溫晉豪的作品時常將影像與文字,拆分為不同的內容指涉,藉著兩者的衝突並置,聯繫出特定的意義。

 

Reality always amazes us in a surprising way. The artist borrowed an article describing the geographical relationships [between Taiwan and China] and replaced the term “cross-strait” with “men and women”, showing these texts on a LED message board. Hence, the complex and power play between the two geographical regions was transformed into relationships between men and women. The artist usually separates the image from the texts so that the two mediums could refer to different things, and through the conflicting juxtaposition of texts and images, specific meanings can thus be created.

物體紀念碑

The Object Monument

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2020 |由在臺灣拾得的材料製成,尺寸依場地而定,創作者伊麗莎白.卡多佐

2020 | Local materials found in Taiwan. Dimensions variable, created by Elizabeth Cardozo

伊麗莎白.卡多佐

Elizabeth Cardozo

在消費主義社會中,生活充斥著消費物品,這些物品突顯當地的生活型態,以及存在於社會中的價值。藝術家伊麗莎白.卡多佐將這些物品視為當代民族誌的研究依據,將臺灣的日常消費物品,以反常的方式置入展呈空間,添增一種儀式性與劇場性。

 

The online city series created by artist Margot Guillemot originated in 2016. She conducted a comprehensive research about the city landscape and used a “single-point perspective” to photograph the centre of roads outside the exits of metro in the city. The multiple samples were then reconstructed into an image using montage. Through a single-point perspective, the checkerboard-like boulevards and towering buildings are highlighted, and together, they form a scene similar to modern cities. 

輸送帶

Conveyor(s)

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 2020 | 植物標本、平板電腦、三腳架,尺寸依場地而定,創作者西蒙.喬布 

2020 | Plant specimens, computer tablet and tripods, dimension variable, created by Simon Job

西蒙.喬布

Simon Job

Can the screen support the entire world? In the pandemic era, information relies on the binary computer system more than ever. The artist proposed the following thought: The reality that we know relies on the transcription and transmission of information, and the binary system creates a new version of the reality. Hence, “Conveyor(s)” attempts to create a new reality with the new medium. Is it a gradual betrayal of reality, or is it moving towards another kind of reality? 

螢幕是否可以真實地呈現世界?時疫下,訊息的傳遞與接收比以往更依賴手機、電腦等載體,藉由訊息的散佈、流通與傳播網狀交織成我們感知的世界,然而這卻是二進位機制創造的真實,將世界的模樣顯影於螢幕之中。作品《輸送帶》試圖製造一種0與1構築的世界,呈現真實與虛擬平行的雙世界。

 

​相關連結

 

2020 大臺北當代藝術雙年展
Greater Taipei Biennial of Contemporary Art 2020

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