2020 大臺北當代藝術雙年展｜真實世界
Greater Taipei Biennial of Contemporary Art 2020 | Authentic World
一隻蒼蠅飛入海洋無垠的吐納
A Fly Enters. Immense Breath of the SEA.
2020 | 多媒體材，尺寸依場地而定
打開－當代藝術工作站
Open Contemporary Art Center
2020 | Multi-channel video installation. Dimensions variable.
「我想知道是否一個近距離的輕微噪聲會與一聲遠處的巨大聲響聽起來一樣響亮？」— 李奧納多·達·芬奇
「一隻飛了進來的蒼蠅，不管是過去還是將來，一直都是一個重要的發聲者，牠是人類不受歡迎的夥伴。牠發出的聲音像是一場無意義的閒聊，但他代表那種我們難以捕捉，卻又遵循自身規律而進行著中斷或重啟的聲音。」— 《聲音》，米歇爾·希翁
《一隻蒼蠅飛入海洋無垠的吐納》為一項以實驗聲響與噪音為主軸的聲音交流計畫，以行動探討聲響是否能重啟我們的身體感官。邀集臺灣與東南亞如印尼、菲律賓、泰國等地四位策展人／研究者以及多位聲音創作者，共同發起多場聲音行動。這項計畫以蒼蠅與海洋為喻，對比微小與無限遼闊之意，當單獨的個體連結成群，體現微薄的聲音綿延循環成廣闊的聲音圖景（soundscape）。
“I ask whether a slight sound close at hand can sound as loud as a big sound afar off?” — Leonardo da Vinci
“A fly enters. The fly, as we have seen and will see again, represents the undesirable companion, Its sonic presence is heard like empty chatter, but it also incarnates in this case sound that cannot be captured - sound that is interrupted and restarts according to its own law.” — Sound: An Acoulogical Treatise, Michel Chion.
A Fly Enters. Immense Breath of the Sea is a communication plan based on noise and sound experiment and aiming to explore whether or not sound can reactivate our senses. Four curators/researchers and multiple sound artists from Taiwan and Southeast Asia, including Indonesia, the Philippines, and Thailand, were invited to co-organise multiple sound events. This plan uses the fly and the ocean to form a strong contrast between smallness and infinitely vastness. When individuals gather together, their weak voices are also put together, looped, and amplified as a wide-ranging soundscape.
相關連結
打開－當代藝術工作站 OCAC
2020 大臺北當代藝術雙年展
Greater Taipei Biennial of Contemporary Art 2020
