2020 大臺北當代藝術雙年展|真實世界

Greater Taipei Biennial of Contemporary Art 2020  | Authentic World

 

翻牆者

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The Man Over

the Wall

2020 | 5部單頻道錄像, 54秒、1分09秒、31秒、36秒、2分17秒,創作者森嵐工作方圖-邱杰森

森嵐工作方圖-邱杰森

C&G Art Group- Chieh-Sen CHIU

2020 | 5 single-channel videos (54 seconds, 1 minute 9 seconds, 31 seconds, 36 seconds, 2 minutes 17 seconds). Created by Chieh-Sen CHIU (C&G Art Group).

With a video documenting the climbing of walls with the first-person perspective, Chieh-Sen CHIU presented the process of human bodies overcoming obstacles, going over houses and courtyards. For the artist, human body is the primary medium of arts. When people move around the settlements undergoing reconstruction or are semi-demolished, the dynamic character of the body breaks down obstacles imposed by buildings and personally removing the barriers between spaces.

This piece constitutes multiple documentaries, namely, “No. 31, Section 1, Daguan Road”, “No. 5, Alley 4, Lane 29, Section 1, Daguan Road”, “No. 12, Lane 35, Section 1, Daguan Road”, “No. 6, Lane 37, Section 1, Daguan Road”, and “No. 1, Lane 39, Section 1, Daguan Road”.

透過第一人稱的翻牆者鏡頭,邱杰森記錄身體翻越障礙、跨越一棟棟聚落房屋和庭院的軌跡。對藝術家而言,身體是藝術最原初的創作媒材,當身體穿行於改建中或半拆除的聚落中,身體的能動性破除建築體的障礙,並以親身勞動解除空間的阻隔。

此作品由幾個錄影畫面紀錄構成,分別為:「大觀路一段31號」、「大觀路一段29巷4弄5號」、「大觀路一段35巷12號」、「大觀路一段37巷6號」、「大觀路一段39巷1號」。

 

線上新北市

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New-Taipei on Line

2020 | 彩色單頻道投影、3分鐘、攝影輸出,尺寸依場地而定,創作者森嵐工作方圖-莫珊嵐

2020 | Colour single-channel projection (3 minutes) digital photography prints. Dimensions variable, created by Margot GUILLEMOT (C&G Art Group).

森嵐工作方圖-莫珊嵐

C&G Art Group- Margot Guillemot

藝術家莫珊嵐的線上城市系列源自2016年,她對城市地景進行全面性的普查,在城市內所有捷運站出口的道路中央,以「單點透視」構圖攝影採樣,再將數個採樣透過蒙太奇手法重新組構成作品影像,顯示出棋盤狀的大道及高聳入天的大廈,形塑一種現代城市的景緻。

 

The online city series created by artist Margot Guillemot originated in 2016. She conducted a comprehensive research about the city landscape and used a “single-point perspective” to photograph the centre of roads outside the exits of metro in the city. The multiple samples were then reconstructed into an image using montage. Through a single-point perspective, the checkerboard-like boulevards and towering buildings are highlighted, and together, they form a scene similar to modern cities. 

+1

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+1

 2020 | 鑑界複丈報告、土地劃分書、3D打印地籍模型、鋼筋牆、界釘、噴漆,4.6公尺、尺寸可變,創作者蔡國傑 

2020 | Boundary resurvey report, land division report, 3D printed cadastral model, reinforced wall, boundary marker, spray paint, 4.6 meters. Dimensions variable, created by Guo-Jie TSAI.

蔡國傑

Guo-Jie TSAI

The work +1 is the continuation of Half Field Plan, a different perspective to implement the land sales plan, while the two works both aim to explore the “power field” in arts. +1 is a concept based on the land boundary – just like the cadastral boundaries that divide the land based on landmarks. TSAI attempted the role of “a boundary manager”, creating a cadastral line in the gallery and mark down the rights of the space through the entire process of boundary resurvey and land division as well as the introduction of a reinforced wall and cadastral sand table in the space. 

《+1》是延續藝術家蔡國傑《半田計劃》一項土地銷售創作計畫的新實踐,而兩者皆在於探索空間的「權力場」。《+1》從土地界分的概念為思考起點,猶如地籍圖上的土地界分,以土地界標進行地域的劃分。蔡國傑將以「界線管理師」的身份,為展場制造一條地籍線,透過鑑界複丈、土地劃分等繁複的程序,以及空間中鋼筋膝牆、地籍沙盤模組的置入,標示出該空間的範圍及權能。

 

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